This (first) manga break is of my absolute favourite manga series, NANA. The series creator is Ai Yazawa and it’s still ongoing and serialized in Cookie (a monthly manga magazine in Japan). NANA is a hugely popular shoujo series; Volume 19, released last May, broke 2008 sales record by selling 780 000 copies in one week (the previous record was held by Naruto Vol. 42, which sold 505 000 copies in the week of May 2nd). The series gets its name from the two main characters; both named Nana, which means ‘seven’ in Japanese. The two girls end up living together in apartment 707, in Tokyo, and become good friends despite their opposite personalities.
One of the Nanas is the vocalist in a band called The Black Stones (or Blast). She nicknames the other Nana “Hachiko” which is the name of a famous loyal pet dog in Japan (and ‘hachi’ also means ‘eight’). Hachiko is your typical girly 20 year old who jumps from relationship to relationship and from one job to another. Among the many contrasts between the two is Hachi’s lack of focus and her seemingly endless boyfriend hopping, compared to Nana’s passion to be a singer and her history with the one man she loves.
Yazawa’s artwork is gorgeous-the details in the changing hair and clothing is wonderful and really suites each individual character. But what I most admire about Yazawa’s work is her writing; the story is a beautiful mix of fantasy (the glamour of famous musicians, dating a celebrity, plentiful designer fashion) and realism (falling out of love, leaving home, struggling to find your life’s focus). No matter what situation the characters are placed in, Yazawa makes it all seem believable. In some manga, sometimes it can seem like a character is making a certain choice solely because it serves the story-but in NANA, every character responds to the situations in a manner which is true to their personality. The interactions that go on between the various characters make you believe that they all really could be living out their lives this way, somewhere in Tokyo.
NANA is more mature than the typical shoujo series you might find licensed here in North America. Personally, I would consider NANA more of a “josei” manga-geared more towards young adults than teens. I can imagine American promoters comparing it to popular teen TV dramas like the O.C. or Dawson’s Creek to try and market to the audience of those kinds of shows, but I don’t think that comparison would do it justice. The story deals with breakups, cheating, drugs, pregnancy, and other familiar drama themes, but none of it feels like it’s been dumped in-nearly everything that occurs in the plot feels necessary to the story-everything feels natural and, again, believable.
NANA was licensed by Viz, here in the US and Canada, and was serialized in their Shojo Beat magazine. It was dropped from the magazine once the story started to outgrow the Shojo Beat age demographic with its increasingly mature content. Viz continues to release the series in graphic novel format, which currently runs to about Volume 14. An anime adaptation was produced and aired in Japan in 2006. The license for the anime has apparently been acquired by Viz, but I haven’t heard any recent news about when it will be released.
I don’t often get the chance to watch or read new anime and manga series, so most of my favourite series are from the late 90s. NANA is one exception. I know I’m not the only one who finds themselves re-reading older chapters and getting sucked in all over again. The balance, flow, and emotion in both artwork and story make NANA one of those great manga series that remind me of why I fell in love with this type of storytelling.

Sara drawn as a Yazawa character?